{"id":1294,"date":"2011-09-14T13:06:39","date_gmt":"2011-09-14T13:06:39","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=1294"},"modified":"2011-09-14T13:29:38","modified_gmt":"2011-09-14T13:29:38","slug":"30-minutes-or-less","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/comedy\/30-minutes-or-less\/","title":{"rendered":"30 Minutes Or Less ***"},"content":{"rendered":"

\"\"<\/a>After Zombieland<\/a><\/em>, director Ruben Fleischer<\/a> was always going to have big boots to fill with his next film. He remains very much in the same comedy adventure genre, only taps into the Apatow<\/a> school of idiocy with puerile, often chauvinistic man-child humour. The redeemable feature, however, is Fleischer doesn\u2019t dwell too long on the visual gags, and although not as sharply-written homage to past movie greats as in Zombieland<\/em>, 30 Minutes Or Less<\/em><\/a> flies along at its own screwball pace and sharp-fire tongue, once the bank job is in progress.<\/p>\n

Pizza boy Nick (Jesse Eisenberg<\/a>) finds himself delivering in the wrong place at the wrong time, and becomes the unwilling player in a dangerous assassination game thought up by spoilt brat Dwayne (Danny McBride<\/a>) to rid him of his Forces-trained and overbearing father who\u2019s worth a few million. Nick must rob a bank to get the cash to pay the assassin, or else risk being blown up by a bomb strapped to his chest if he doesn\u2019t comply. With best mate Chet (Aziz Ansari<\/a>), Nick only has hours to save his own skin.<\/p>\n

Fleischer\u2019s film takes its time to brew, and things only get interesting after the long, wordy and drawn-out male bonding sessions of best buddies Nick and Chet, and Dwayne and goofy Travis (Nick Swardson<\/a>) that initially feel like you\u2019re watching two different films stuck together actually end. In fact, rather than the script directing proceedings, it\u2019s as if Fleischer has left the stage to Eisenberg and McBride to ad lib their way to the heist \u2013 but the former requires great dialogue to really shine in the straight act, while the latter is an acquired taste, and since Apatow\u2019s mixed-bag Pineapple Express<\/em><\/a>, McBride plays each idiotic brat role so under the comic radar that it\u2019s hard to say whether he\u2019s brilliantly ironic or just isn\u2019t all that funny.<\/p>\n

It\u2019s Eisenberg and McBride\u2019s co-partners in comedy crime, Ansari and Swardson, who actually steal the scenes in this, along with a brief couple of moments from Michael Pe\u00f1a<\/a> as Chango the hit man. Once you get used to Ansari\u2019s squeaky chipmunk vocals, his animated rants and dripping sarcasm are incredibly funny. Indeed Swardson sends up the film\u2019s mockery of incompetence and immaturity to a treat, supplying the nods to show all are fully aware of the very dark humour flowing through of some of the sensitive subject matter, however disconcerting and un-politically incorrect it may be.<\/p>\n

Once the action unfolds, the film snowballs at an enjoyable rate of catastrophe after farcical catastrophe, making the 80+ minutes fly by. The poignant lines from all \u2013 and Fleischer gives each character a glory moment to shine \u2013 are never overstated for effect or gag purposes, but register just enough when events get out of control to keep things interesting and witty, even though there may be a lot of expletives for some to stomach.<\/p>\n

30 Minutes Or Less<\/em> is less of a laugh-out-loud caper, but more an intriguingly quirky collision of bruised male egos that happens to be bolstered by some set-pieces and below-the-belt antics that some may or may not find funny \u2013\u00a0but it does try to be consistently amusing with some memorable one-liners. Fleischer\u2019s film has a comic-book feel to some events too, which might appeal. Although the director gives nods to more classic films in this as he did in Zombieland<\/em>, such as Lethal Weapon<\/em><\/a> and Die Hard<\/a><\/em>, the cleverer subtleties of 2009 film are missing, while relying purely on sick shenanigans that go to reduce all actors to the same level of maturity, without us necessarily getting the full effect of the bromances that Apatow films have become infamous for cultivating. 30 Minutes Or Less<\/em> is enjoyable enough in a naughty schoolboy fashion, but fairly unremarkable long term.<\/p>\n

3\/5 stars<\/strong><\/p>\n

By @FilmGazer<\/p>\n

Follow on Twitter<\/a><\/p>\n

**WATCH THE TRAILER HERE<\/a><\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

After Zombieland, director Ruben Fleischer was always going to have big boots to fill with his next film. He remains very much in the same comedy adventure genre, only taps into the Apatow school of idiocy with puerile, often chauvinistic man-child humour. The redeemable feature, however, is Fleischer doesn\u2019t dwell too long on the visual … <\/p>\n

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