{"id":1503,"date":"2011-11-01T22:03:48","date_gmt":"2011-11-01T22:03:48","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=1503"},"modified":"2011-11-01T22:03:48","modified_gmt":"2011-11-01T22:03:48","slug":"machine-gun-preacher","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/action\/machine-gun-preacher\/","title":{"rendered":"Machine Gun Preacher ***"},"content":{"rendered":"

\"\"<\/a>You\u2019d be forgiven for thinking that Bond director Marc Forster<\/a> and screenwriter Jason Keller<\/a>\u2019s new drama Machine Gun Preacher<\/em><\/a> was a fictitious and rather cheap attempt by Hollywood at raising the plight of Africa\u2019s war-ravaged areas, had you not heard of Sam Childers<\/a>. Indeed, such is the worthiness of what goes on in the film so unbelievable, but the speed with which former gang biker Childers reforms from being a drug-addled, woman-abusing killer to a God-fearing businessman and Western crusader for Sudanese children happens at a such frightening rate \u2013\u00a0if only all religion could be so proactive.<\/p>\n

It\u2019s hard not to be cynical, and this is part of the problem with bringing such a powerful and noble real-life story adaptation to the screen that the real hero\u2019s good intentions behind the film character can be unfairly subjugated with all the dramatics and action \u2013\u00a0perhaps such a story is always better told as a documentary for greater, fuller impact.<\/p>\n

That\u2019s not to say that the filmmakers do not have the best intentions to heart with the source material \u2013\u00a0they do, perhaps too much so, as the film tries shamelessly to twang every conceivable heartstring that it\u2019s hard not to be moved. However, is this only because of the reconstructed African travesties that prick our conscious for greater, accelerated change in the affected regions for a brief moment after watching, making an inevitable and potent wake-up call, rather than the film itself being anything remarkable? Perhaps the whiff of American, Bible-bashing arrogance that can cure the world\u2019s wrongs overnight fuels the somewhat bad taste this film sometimes leaves?<\/p>\n

On the plus side, Gerard Butler<\/a> has been suitably picked for his rugged \u2018manly\u2019 appeal to portray Childers, which sends his chequered career path off on different, more meaningful tangent this time. If anyone was cast to lead the vigilante war against the Sudanese LRA rebels hell-bent on turning each child into a mini fighting machine against their will, it\u2019s Butler \u2013\u00a0just swap the Spartan\u2019s primitive weaponry for a shooter, and you have your fearless King Leonidas back in action in a present-day role.<\/p>\n

Admittedly, we aren\u2019t supposed to like Childers that much pre-Godly intervention, but there is actually very little to grow fonder of him afterwards either. He makes gargantuan mistakes with his real family back home \u2013\u00a0his long-suffering wife, Lynn, played by Michelle Monaghan<\/a> and his daughter, Paige (Madeline Carroll<\/a>), abandoning them and his struggling best friend, well played by Michael Shannon<\/a>. But even though Childers is only human, what the film lacks is a reflective moment from him to put everything into perspective; all we get is a pigheaded Childers continually roaming the African plains for lost kids or preaching like some maniacal sect leader at his home-made church in the US.<\/p>\n

Monaghan does the best she can in an underdeveloped role that never attempts to explain the greater cost Childers\u2019 double life is having on her existence. Even though the real-life couple may well have stayed together, the film\u2019s character simply stands by her man without so much as a defining climax to clear the air, short of opening an empty safe to show the delusional Childers that all the cash has gone. There is no satisfactory, meaningful resolution either, just a sense of everything being so-so, and even the clich\u00e9d addition of an uncooperative Sudanese boy looking for his lost brother who suddenly speaks perfect English to give Childers some great wisdom falls fairly flat in the end.<\/p>\n

Although perfectly watchable, in terms of Butler\u2019s ferociously determined performance, Machine Gun Preacher<\/em> plays a little too safe and skips over the real significance of finding God then oversimplifies the ugly and complex situation in Sudan. What was needed from the filmmakers was a greater insight into the dramatic transformation a person goes through in both respects, rather than rushing to put Childers\u2019 accomplishments on a pedestal, however deserved, while packing in the action sequences to secure a wider audience.<\/p>\n

3\/5 stars<\/strong><\/p>\n

By @FilmGazer<\/p>\n

Follow on Twitter<\/a><\/p>\n

**WATCH THE TRAILER HERE<\/a><\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

You\u2019d be forgiven for thinking that Bond director Marc Forster and screenwriter Jason Keller\u2019s new drama Machine Gun Preacher was a fictitious and rather cheap attempt by Hollywood at raising the plight of Africa\u2019s war-ravaged areas, had you not heard of Sam Childers. Indeed, such is the worthiness of what goes on in the film … <\/p>\n

Continue reading “Machine Gun Preacher ***”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,10],"tags":[706,1635,1634,1637,1633,1638,327,1636],"class_list":["post-1503","post","type-post","status-publish","format-standard","hentry","category-action","category-drama","tag-gerard-butler","tag-jason-keller","tag-machine-gun-preacher","tag-madeline-carroll","tag-marc-forster","tag-michael-shannon","tag-michelle-monaghan","tag-sam-childers"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/1503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=1503"}],"version-history":[{"count":3,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/1503\/revisions"}],"predecessor-version":[{"id":1507,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/1503\/revisions\/1507"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=1503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=1503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=1503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}