{"id":1611,"date":"2011-11-23T20:09:15","date_gmt":"2011-11-23T20:09:15","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=1611"},"modified":"2011-11-23T20:09:15","modified_gmt":"2011-11-23T20:09:15","slug":"lff-2011-5050","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/comedy\/lff-2011-5050\/","title":{"rendered":"LFF 2011: 50\/50****"},"content":{"rendered":"<p><a href=\"http:\/\/filmgaze.com\/blog\/comedy\/lff-2011-5050\/attachment\/filmgaze-5050\/\" rel=\"attachment wp-att-1612\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1612\" title=\"filmgaze-5050\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2011\/11\/filmgaze-5050.jpg\" alt=\"\" width=\"300\" height=\"448\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2011\/11\/filmgaze-5050.jpg 300w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2011\/11\/filmgaze-5050-200x300.jpg 200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>A comedy about cancer is not something the average person feels comfortable laughing at. But when writer <a href=\"http:\/\/www.imdb.com\/name\/nm1672425\/\">Will Reiser<\/a> has been through the illness, it makes sense that he has something to say about getting over the \u2018Big C\u2019 stigma that the rest of us more fortunate people are inflicted with. Paired with <a href=\"http:\/\/www.imdb.com\/name\/nm0736622\/\">Seth Rogen<\/a>, who is Reiser\u2019s good friend in real-life and helped him through the illness, the story behind <a href=\"http:\/\/www.5050movie.co.uk\/\"><em>50\/50<\/em><\/a> begins to intrigue further and adopt some well-meaning gravitas.<\/p>\n<p>This is a story about friendship, love, survival and finding humour in unlikely places. <em>50\/50<\/em> stars <a href=\"http:\/\/www.imdb.com\/name\/nm0330687\/\">Joseph Gordon-Levitt<\/a> and Rogen as best friends Adam and Kyle whose lives are changed by a cancer diagnosis given to supposedly \u2018healthy\u2019 Adam, and follows how they individually cope with the news on Adam\u2019s road to recovery.<\/p>\n<p>Admittedly, the idea of \u2018big kid\u2019 Rogen making fun of cancer on screen feels altogether unnerving at first, considering his CV of immature, dope-smoking roles in the past. As Kyle, he starts out as expected, shirking responsibilities to remain the eternal frat boy, chasing skirt and partying hard. But with his trustworthy companion, Gordon-Levitt, in tow, who instantly reassures you the journey you take with the characters will be a worthy and heart-felt one, all joking is sensitively executed after the bombshell drops.<\/p>\n<p>The Gordon-Levitt-Rogen bromance is one of the most exciting and fun ones in recent comedy history, and the pair have a wonderful natural rift that considering they first met on this film, would fool anyone into thinking they\u2019d been friends for life. This is the primary reason <em>50\/50<\/em> works. Events are also given breathing space to unfold, with reactions to the news both expected and random and exuding a bittersweet humour, resulting in director Jonathan Levine\u2019s story having a lot of credibility, rather than haphazardly trying to draw laughs using the Rogen touch. Admittedly, where Rogen is involved, there is always the odd, idiotic throwaway comment, so expect that, too.<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm0447695\/\">Anna Kendrick<\/a> as inexperienced cancer counsellor Katherine and <a href=\"http:\/\/www.imdb.com\/name\/nm0397171\/\">Bryce Dallas Howard<\/a> as Adam\u2019s girlfriend Rachael make up the female contingent in this, alongside a wonderful turn from <a href=\"http:\/\/www.imdb.com\/name\/nm0001378\/\">Anjelica Huston<\/a> as Adam\u2019s overbearing but concerned mother. Kendrick and Dallas Howard play chalk-and-cheese characters, but share the common sense of paranoia of \u201csaying and doing the right thing\u201d. Against them, we get to compare our reactions to events and how we would deal with such a circumstance; through them, it\u2019s as though we are allowed to feel guilty and ill equipped, and that is a refreshing and personal element Reiser has brought to the script. It also enables us to not make light of how we deal with it, which is where the humour lies.<\/p>\n<p>If nothing else, <em>50\/50<\/em> is ironically laugh-out-loud funny and equally brave and tragic, without being weepy and affected, or worse still, condescending. It\u2019s angle is to be as matter-of-fact as its stars in what transpires, which is its guilty and unique pleasure.<\/p>\n<p><strong>4\/5 stars<\/strong><\/p>\n<p>By @FilmGazer<\/p>\n<p><a href=\"http:\/\/twitter.com\/FilmGazer\">Follow on Twitter<\/a><br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/JKyTJT6qx_E\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A comedy about cancer is not something the average person feels comfortable laughing at. But when writer Will Reiser has been through the illness, it makes sense that he has something to say about getting over the \u2018Big C\u2019 stigma that the rest of us more fortunate people are inflicted with. Paired with Seth Rogen, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/filmgaze.com\/blog\/comedy\/lff-2011-5050\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;LFF 2011: 50\/50****&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1593,1,10],"tags":[1760,1762,68,66,52,544,1761],"class_list":["post-1611","post","type-post","status-publish","format-standard","hentry","category-bfi-lff-2011","category-comedy","category-drama","tag-1760","tag-anjelica-huston","tag-anna-kendrick","tag-bryce-dallas-howard","tag-joseph-gordon-levitt","tag-seth-rogen","tag-will-reiser"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/1611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=1611"}],"version-history":[{"count":3,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/1611\/revisions"}],"predecessor-version":[{"id":1615,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/1611\/revisions\/1615"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=1611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=1611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=1611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}