{"id":254,"date":"2010-09-23T13:58:13","date_gmt":"2010-09-23T13:58:13","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=254"},"modified":"2010-09-23T14:09:50","modified_gmt":"2010-09-23T14:09:50","slug":"peepli-live","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/comedy\/peepli-live\/","title":{"rendered":"Peepli Live &#8211; 3*"},"content":{"rendered":"<p><a rel=\"attachment wp-att-255\" href=\"http:\/\/filmgaze.com\/blog\/comedy\/peepli-live\/attachment\/filmgaze-peepli-live\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-255\" title=\"filmgaze-peepli-live\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2010\/09\/filmgaze-peepli-live.jpg\" alt=\"\" width=\"350\" height=\"405\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2010\/09\/filmgaze-peepli-live.jpg 350w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2010\/09\/filmgaze-peepli-live-259x300.jpg 259w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>\u2018True India lies in its village\u2019 was Gandhi\u2019s infamous and wise  quote. The heart of any country lies in its roots \u2013 both in the literal  and actual sense, and not in the urban metropolis that springs up around  them. This lively satire set in the small fictional village of Peepli  is a credit to these epic words and unfolds to demonstrate the true  sense of the saying \u2018media circus\u2019 in the time of election fever with  comical but tragic circumstances.<\/p>\n<p>What starts as local idle chit chat about how best to save a family\u2019s  farm from auction turns into a national issue, twisted out of all  recognition by spin doctors and their masters; the politicians and the  media. The authorities use poor, ignorant farmer Natha\u2019s (<a href=\"http:\/\/www.imdb.com\/name\/nm3493635\/\">Omkar Das Manikpuri<\/a>)  threats of suicide to gain alleged government compensation and save his  family\u2019s legacy against their opponents, to the point where even Natha  begins questioning whose mental state is on test here, increasing our  sympathy for his plight. Government corruption is a common theme in  film, but it is always the local cultural take on such farcical events  that give <a href=\"http:\/\/www.imdb.com\/title\/tt1447508\/\" target=\"_blank\"><em>Peepli Live<\/em><\/a> its unique charm, vitality and colour, coupled with lively musical medleys.<\/p>\n<p>The story begins at the slower pace of life expected of rural living,  albeit a little too drawn out and languid to the point of disinterest  at times. Thank goodness for the hilarious shrieking matches between the  family\u2019s women members \u2013 the age-old mother-in-law and daughter-in-law  &#8216;slag off&#8217; &#8211; who actually have the upper hand over their incompetent men  folk at home, but who are deemed financially powerless in society\u2019s and  the caste system\u2019s eyes. It is these wonderfully staged scenes that  give the film its spirit and contemporary insight on cramped and basic  living conditions. That said the issues the farming family faces ring  true, globally, in all in these times of credit crunch.<\/p>\n<p><em>Peepli Live<\/em> also provides an intriguing character study of the  different roles and social etiquette for women in Indian society, from  rural housewife to ambitious TV correspondent. In fact the film is a  series of juxtapositions, mainly past clashing with present. But it is  the very real emotions and humanity that win through in every situation  to unite all backgrounds.<\/p>\n<p>The hypocritical political stench that is raked up is visually  portrayed when the circus trundles out of town, leaving a trail of  destruction in its path. This is the most poignant visual moment in the  film with the debris of containers and bottles left for the perplexed  villagers to clean up, whilst attempting to return to some form of  normality \u2013 a tall feat, considering some have now been exposed to a  more affluent and media-savy way of life.<\/p>\n<p>In terms of audience appeal, this may be a foreign-language art-house  picture and not to the average cinemagoer\u2019s taste. However, with some  clever box office promotion, it could reach a wider UK audience because  of its lunacy, social messages and nostalgic sentiment of a simpler life  from yonder years. Interestingly, its star Natha looks crestfallen in  the end scene, possibly pining for just this \u2013 ironically, something he  had. <em>Peepli Live<\/em> also provides a much-needed wake-up call to any  rapidly developing region that happiness is never found in worshipping  consumerism, fakery and even celebrity \u2013 the latter being something  Bollywood counts on. But without the right push, <em>Peepli Live<\/em> is in danger of going the same way as its namesake village and becoming forgotten in film-making history.<\/p>\n<p><strong>3\/5 stars<\/strong><\/p>\n<p>By L G-K<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"640\" height=\"385\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/a-OAIAGzrFc?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018True India lies in its village\u2019 was Gandhi\u2019s infamous and wise quote. The heart of any country lies in its roots \u2013 both in the literal and actual sense, and not in the urban metropolis that springs up around them. This lively satire set in the small fictional village of Peepli is a credit to &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/filmgaze.com\/blog\/comedy\/peepli-live\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Peepli Live &#8211; 3*&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,10,7,103],"tags":[158,147,152,148,153,157,155,149,145,150,146,151,156,154],"class_list":["post-254","post","type-post","status-publish","format-standard","hentry","category-comedy","category-drama","category-family","category-foreign-language","tag-aamir-bashir","tag-anusha-rizvi","tag-farrukh-jaffar","tag-mahmood-farooqui","tag-malaika-shenoy","tag-naseeruddin-shah","tag-nowaz","tag-omkar-das-manikpuri","tag-peepli-live","tag-raghuvir-yadav","tag-raindance","tag-shalini-vatsa","tag-sitaram-panchal","tag-vishal-sharma"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=254"}],"version-history":[{"count":7,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/254\/revisions"}],"predecessor-version":[{"id":268,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/254\/revisions\/268"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}