{"id":26,"date":"2010-08-22T17:38:50","date_gmt":"2010-08-22T17:38:50","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=26"},"modified":"2010-08-22T21:05:03","modified_gmt":"2010-08-22T21:05:03","slug":"the-a-team-3","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/comedy\/the-a-team-3\/","title":{"rendered":"The A-Team – 3*"},"content":{"rendered":"

\"\"<\/a>A-Team, we have a problem\u2026 Trouble is, not sure if you can help us? We need to get back down to earth and have our eyeballs re-attached into their sockets, please. To say that there isn\u2019t lots of big, brash and ballsy fun to be had with Joe Carnahan<\/a>\u2019s film version would be untrue, including Bradley Cooper<\/a> as Face in fine, tanned form to salivate over, and Sharlto Copley<\/a> giving the original Murdock a run for his money in the loopy stakes. The A-Team<\/em><\/a> (2010) is definitely summer popcorn fodder that will fill cinemas and thrill youngsters with no loyalty to the 80s first time around \u2013 and in this respect it fulfils its brief. However, in Carnahan\u2019s effort to lose the nostalgic campness of Cannell<\/a>\u2019s iconic 80s TV series that was one of its key success ingredients, and bring it kicking and screaming into the 21st<\/sup> Century, Carnahan\u2019s big-screen adaptation turns the vaguely believable and solid action sequences fondly associated with the fugitives\u2019 small-screen escapades into a mindless, cocky and super silly fiasco that almost mocks the original \u2013 and its legion of eagerly awaiting fans.<\/p>\n

The A-Team<\/em> suffers from softly-rendered, wishy-washy, half-complete CGI (incomplete underbellies of cars etc), daft, gravity-defying scenes, and a serious case of the camera shakes to substitute for any real action \u2013 something the Transformers<\/em><\/a> series is stricken with. Carnahan seems to have indulged fully in his trademark \u2018zoom in\u2019 choppy shots that are like being on a swirling fairground ride, whilst getting motion sickness and wanting off. In addition, everything in the movie becomes superfluous, except the grand juvenile pranks and Cooper\u2019s buffed physique.<\/p>\n

Oh, did we mention Cooper\u2019s body? It\u2019s constantly on display as gratuitous tool (admittedly, not a bad thing), used as a \u2018buff-er\u2019 in between setting up the next action sequence. If nothing else, Cooper can be proud of the impact it has because his acting skills aren\u2019t what\u2019s on show, here. That said credit to both Copley and him for trying to at least stay faithful to the original characters they are resurrecting. Quinton \u2018Rampage\u2019 Jackson<\/a> looks the part as B.A Baracus, but sadly misses the mark, making little impression as he mumbles through his words in an incoherent daze, and has none of Mr. T<\/a>\u2019s menacing, even angry persona. Liam Neeson<\/a> as Hannibal unsurprisingly commands authority, staying true to type in the kind of \u2018justice-hunting\u2019 role we\u2019ve seen him in many times before \u2013 complete with creeping Irish lilt, but he lacks Peppard<\/a>\u2019s devilish and unpredictable dark charm that kept all on their toes.<\/p>\n

Part of the fun of the TV series was the theme tune that always signified that the impossible was always possible with these ex-soldiers on the case, that any contraption could be built and any baddie dealt with. It\u2019s just unfortunate that the only time this score is relied on, and could have seriously rallied fans, if used more intelligently, is the in the best and funniest scene. Ironically this scene relies on nostalgic ones from the TV series to bring us back on board, as Murdock gives his fellow \u2018inmates\u2019 a remarkably real 3D treat, whilst trying to evade the US military in a mental asylum. Still, we can be thankful that some pimped up version wasn\u2019t adopted to accompany the 2010 film. For all us \u2018oldies\u2019, too, stay to the end of the credits for an unexpected treat \u2013 and shock.<\/p>\n

Smug as it is unforgiving, on first glance, Carnahan seems to have stuck two fingers up at the TV series and created what he thinks latter-day audiences want to see. In fact in trying to honour the original in parts, the film-maker has got a little too caught up with his special effects team in trying to bring The A-Team<\/em><\/a> into the digital era that he has created a parody of some of the most influential action heroes that had a very real purpose to see justice prevail. Without getting too heavy and political, Carnahan had the opportunity to cash in on anti-establishment and anti-war sentiment and make his adaptation not only damn good fun but also more poignant. By the way, the extra star is for Cooper\u2019s engaging \u2018personality\u2019, if we\u2019re going for superficiality mark-up, here\u2026 <\/strong><\/p>\n

3\/5 stars<\/strong><\/p>\n

By L G-K<\/p>\n

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A-Team, we have a problem\u2026 Trouble is, not sure if you can help us? We need to get back down to earth and have our eyeballs re-attached into their sockets, please. To say that there isn\u2019t lots of big, brash and ballsy fun to be had with Joe Carnahan\u2019s film version would be untrue, including … <\/p>\n

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