{"id":2814,"date":"2013-10-16T17:55:53","date_gmt":"2013-10-16T17:55:53","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=2814"},"modified":"2013-10-16T17:55:53","modified_gmt":"2013-10-16T17:55:53","slug":"lff-2013-enough-said","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/comedy\/lff-2013-enough-said\/","title":{"rendered":"LFF 2013: Enough Said *****"},"content":{"rendered":"<p><a href=\"http:\/\/filmgaze.com\/blog\/comedy\/lff-2013-enough-said\/attachment\/enough-said\/\" rel=\"attachment wp-att-2816\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2816\" title=\"Enough-Said\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2013\/10\/Enough-Said.jpg\" alt=\"\" width=\"585\" height=\"442\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2013\/10\/Enough-Said.jpg 585w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2013\/10\/Enough-Said-300x226.jpg 300w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/a><\/p>\n<p>Watching this film pains you to think just how pivotal this role could have been for the late <em>Sopranos<\/em> star James Gandolfini, who although was a larger-than-life character in the TV Mafioso series, was only just getting a foothold in big-screen leading roles. In the past, he\u2019s played an alcoholic hitman (<em>Killing Them Softly<\/em>), a general (<em>In The Loop<\/em>) and only close to leading man status in 2005\u2019s musical <em>Romance &amp; Cigarettes<\/em>. Romantic comedy <em>Enough Said<\/em> shows how tender and naturally funny the big guy could be. It\u2019s a heartbreaking watch as it\u2019s one of his finest performances.<\/p>\n<p>Divorcee Eva (Julia Louis-Dreyfus), a masseuse, meets poet Marlanne (Catherine Keener) at a party. She also meets Albert (Gandolfini), recently divorced. Although she says she\u2019s not attracted to him to best friend Sarah (Toni Collette) and her hubby Will (Ben Falcone), she agrees to go on a date, if only for the companionship, especially as her only daughter is off to college soon. Meanwhile, Eva starts massaging her new client, neurotic Marlanne who bitches constantly about her ex and his bad habits. As her relationship with Albert blossoms, her friendship with Marlanne does too, but connecting the dots, she realises with horror that her new beau and her friend have a past.<\/p>\n<p>Writer-director Nicole Holofcener has penned a wonderfully awkward and touching story that manages to keep the \u2018foot-in-mouth\u2019 syndrome suffered by its bunch of hapless characters going until the very end in a marvellous set of familiar everyday scenarios. Louis-Dreyfus \u2013 Golden Globe winner for <em>Seinfeld<\/em> in 1994 \u2013 is an absolute gem in this, grimacing her way through uncomfortable silences, tabooed subjects and harsh comments like she\u2019s naively navigating the social scene for the first time. Collette, Falcone and Keener add some superb support to enhance, albeit subtly at times, the comedy value to the tension.<\/p>\n<p>However, it\u2019s opposite Gandolfini that Louis-Dreyfus really blooms: there is an easy, sympathetic chemistry between them, as if they have been in a real relationship for years that resonates profoundly \u2013 \u2018the one\u2019 sought and found, so to speak. That said as the title goes, some things are better left unsaid and it\u2019s the power behind the words and their true meaning that\u2019s a delight to witness unfold. Both actors play with nervous giggles and light teasing in a charming fashion. Unlike other standard rom-coms, this never feels false but achieved in a sophisticated and highly plausible manner, without any schmaltz in idyllic surroundings \u00ad\u2013 there\u2019s a strong suggestion that both lead characters make a modest income and are happy with their lot.<\/p>\n<p>Holofcener and cast try to create something familiar that we all can recognise to an extent and smile at. The beauty is how the ups and downs play out so realistically and how effortlessly the outcomes arrive, minus prompts. <em>Enough Said<\/em> is superior romantic comedy once again from the writer-director of <em>Please Give<\/em> and <em>Friends With Money<\/em>. It\u2019s just a great shame we won\u2019t see her work with Gandolfini again, like she has with Keener.<\/p>\n<p><strong>5\/5 stars<\/strong><\/p>\n<p>By @FilmGazer<\/p>\n<p><a href=\"https:\/\/twitter.com\/FilmGazer\">Follow on Twitter<\/a><br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/L1TDTv_tGd8\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Watching this film pains you to think just how pivotal this role could have been for the late Sopranos star James Gandolfini, who although was a larger-than-life character in the TV Mafioso series, was only just getting a foothold in big-screen leading roles. In the past, he\u2019s played an alcoholic hitman (Killing Them Softly), a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/filmgaze.com\/blog\/comedy\/lff-2013-enough-said\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;LFF 2013: Enough Said *****&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2829,1,1017],"tags":[2836,121,2833,2505,2835,2837,2834,1432],"class_list":["post-2814","post","type-post","status-publish","format-standard","hentry","category-bfi-lff-2013","category-comedy","category-romance","tag-ben-falcone","tag-catherine-keener","tag-enough-said","tag-james-gandolfini","tag-julia-louis-dreyfus","tag-nicole-holofcener","tag-the-sopranos","tag-toni-collette"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/2814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=2814"}],"version-history":[{"count":4,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/2814\/revisions"}],"predecessor-version":[{"id":2819,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/2814\/revisions\/2819"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=2814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=2814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=2814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}