{"id":3105,"date":"2014-03-14T00:45:23","date_gmt":"2014-03-14T00:45:23","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=3105"},"modified":"2014-03-14T00:45:23","modified_gmt":"2014-03-14T00:45:23","slug":"the-zero-theorem","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/comedy\/the-zero-theorem\/","title":{"rendered":"The Zero Theorem ***"},"content":{"rendered":"<p><a href=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2014\/03\/the-zero-theorem.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3106\" alt=\"the-zero-theorem\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2014\/03\/the-zero-theorem.jpg\" width=\"585\" height=\"390\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2014\/03\/the-zero-theorem.jpg 585w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2014\/03\/the-zero-theorem-300x199.jpg 300w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/a><\/p>\n<p>Terry Gilliam returns to his <em>Brazil<\/em> ideas in his latest film, <em>The Zero Theorem<\/em>, such as Big Brother watching\/controlling, quirky romance and even quirkier surroundings that scream of escapism from the throng of daily life\u2019s burden. All set in a future of some description \u2013 though hopefully, not one we have to look forward to, there are a lot of current themes that ring true here, such as our increasingly alienated lifestyle as we plug in and reinvent ourselves online. <em>The Zero Theorem<\/em> trips itself up, plot-wise, but is nevertheless, fascinating and endearing, with a part made for multi-talented lead Christoph Waltz.<\/p>\n<p>Waltz plays loner computer hacker Qohen Leth, a man so solitary that he speaks about himself in the Royal \u2018We\u2019. Leth is obsessed with finding the meaning of life and our existence, but is constantly interrupted by Management (Matt Damon) who throws projects at him to distract him from his goal \u2013 the task of Joby the supervisor (David Thewlis), such as the boss\u2019s smart teenage son, Bob (Lucas Hedges), and call girl love interest Bainsley (M\u00e9lanie Thierry).<\/p>\n<p>Gilliam gets full marks for imagination and choice of cast again, but this never quite elevates the film enough to the extraordinary and memorable. Much of the film\u2019s positive effect is due to Waltz\u2019s nuanced performance of a \u2018trapped man\u2019, his highs and lows and his journey back into the land of the living as he tries to reach out to Bainsley for human affection he so craves. There are a lot of valuable themes running through this hackneyed plot that help give the status quo more gravitas than it probably deserves. There is also a sense of urgency to creep in change before the powers find out, so it\u2019s a little revolutionary in nature and consuming in this sense as you back Leth\u2019s determination.<\/p>\n<p>Waltz\u2019s Leth is like an autistic person, making him compelling to watch as he interprets events around him. Waltz taps into the character\u2019s good\u2013bad sides, resulting in us never quite knowing how such a conditioned individual will react to the increasing invasion into his little world. Waltz also brings out a gentle man-child persona to Leth, coupled with natural sexual instincts awakened after a drug-fuelled party. Leth is often out of his comfort zone and detached, but the irony is the reality of being connected is not ideal either. Gilliam\u2019s conundrums tease and question that of \u2018the ideal\u2019, making the \u2018real\u2019 seem \u2018surreal\u2019 with hindsight.<\/p>\n<p>With some great supporting acts from Thierry, Damon and a live-wired Thewlis, <em>The Zero Theorem<\/em> is a satisfying and oddly zany plunge into dark satire and despair. It\u2019s also another shout-out to us all to step back and reassess our technology-driven lives, before it\u2019s too late \u2013 even the shrink, Dr. Shrink-Rom (Tilda Swinton), is running out of decent ideas. So too, perhaps, is Gilliam who may well have created some magical set design here, but needs something really fresh to animate life\u2019s most troublesome woes.<\/p>\n<p><strong>3\/5 stars<\/strong><\/p>\n<p>By @FilmGazer<\/p>\n<p><a href=\"https:\/\/twitter.com\/FilmGazer\">Follow on Twitter<\/a><br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/mmpSCvlZ7hY?list=UUJJap_3RGZ2UxqLTLz0K39g\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Terry Gilliam returns to his Brazil ideas in his latest film, The Zero Theorem, such as Big Brother watching\/controlling, quirky romance and even quirkier surroundings that scream of escapism from the throng of daily life\u2019s burden. All set in a future of some description \u2013 though hopefully, not one we have to look forward to, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/filmgaze.com\/blog\/comedy\/the-zero-theorem\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Zero Theorem ***&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,10,9,5],"tags":[3011,550,376,744,3012,1676,3010,1588],"class_list":["post-3105","post","type-post","status-publish","format-standard","hentry","category-comedy","category-drama","category-fantasy","category-sci-fi","tag-brazil","tag-christoph-waltz","tag-david-thewlis","tag-matt-damon","tag-melanie-thierry","tag-terry-gilliam","tag-the-zero-theorem","tag-tilda-swinton"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/3105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=3105"}],"version-history":[{"count":1,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/3105\/revisions"}],"predecessor-version":[{"id":3107,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/3105\/revisions\/3107"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=3105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=3105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=3105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}