{"id":3228,"date":"2014-08-03T20:04:28","date_gmt":"2014-08-03T20:04:28","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=3228"},"modified":"2014-08-03T20:04:28","modified_gmt":"2014-08-03T20:04:28","slug":"the-purge-2-anarchy","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/action\/the-purge-2-anarchy\/","title":{"rendered":"The Purge 2: Anarchy ***"},"content":{"rendered":"<p><a href=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2014\/08\/the-purge2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3229\" alt=\"the-purge2\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2014\/08\/the-purge2.jpg\" width=\"585\" height=\"329\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2014\/08\/the-purge2.jpg 585w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2014\/08\/the-purge2-300x168.jpg 300w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/a><\/p>\n<p>The thing that kept the tension wound tight in <em>The Purge<\/em> (2013) was everything being contained within a comfortable four walls, feeding on our deepest fears of being under siege in a safe environment; our home. Returning writer-director James DeMonaco now taps into the other fear that the first film triggers: What would happen if you were outside during the Purge? It\u2019s the same idea of fighting for survival but a lot more scope is available to the film-maker this time.<\/p>\n<p>It\u2019s a few hours until lockdown and the annual Purge begins. Those who don\u2019t want to partake in a free-for-all \u2018cleansing\u2019 of the streets should bolt down the hatches. Those who do should get ready to go out on the hunt. The Purge finally arrives. However, Eva (Carmen Ejogo) and her teenage daughter Cali (Zo\u00eb Soul) find their night of refuge at home is violently interrupted when a \u2018hit squad\u2019 storm their building looking for Purge prey for a mysterious wealthy client. On escaping, they run into an armed man with a grudge (Frank Grillo) who agrees to protect them if they get him transport. Meanwhile, young couple Shane (Zach Gilford) and Liz (Kiele Sanchez) breakdown on the edge of the city. On the run from a masked gang, they run into Eva and co. United, they all try to stay alive until the siren sounds the end next morning.<\/p>\n<p><em>The Purge: Anarchy<\/em> title suggests a terrifying, lawless utopia for 24 hours before the sun rises, where anything is game and nightmares lurk around every shadowy corner. DeMonaco has every opportunity to really feed the primal fear that legalised criminality would breed in a civilised society. However, it all feels a little too restricted in the menace department \u2013 there could have been a far greater and darker onslaught.<\/p>\n<p>That said the exploitation of power is still very much the vile catalyst and main vein pulsing throughout to both wonder at and deplore. This time, in addition to armed masked people, there are sinister hit squads verses an underground rebellion. It feels similar in ideology to other futuristic thrillers like Total Recall in that some class-war, survival game is at play, so there\u2019s a healthy a sense of heightened anticipation to be had.<\/p>\n<p>DeMonaco thankfully doesn\u2019t use such recognisable names this time, as he did in the first, far slicker-styled film starring Ethan Hawke and Lena Heady, making these characters\u2019 experiences seem more gritty and accessible in a \u2018near future\u2019. There are some commendable performances too, from <em>The Grey<\/em>\u2019s Grillo merging as a yet untapped and intriguing leading talent in such an anti-hero\/protector role. Ejogo makes a convincing wing woman in this, a combination of vulnerability and inner stamina.<\/p>\n<p>As for the actual purge, there\u2019s playful carnage and squelching sound effects to be thrilled by, climaxing in a gaming arena finale of \u2018haves and have-nots\u2019 that will stir any revolutionary tendencies within. As with all such films, it has to end on some sort of restoration of order for sanity\u2019s sake, but just for 103 minutes you get a real sense of disarray \u2013 uncanny, given today\u2019s uncertain world events. Altogether, <em>The Purge; Anarchy<\/em> is effective in this sense but could have been a whole lot more frightening.<\/p>\n<p><strong>3\/5 stars<\/strong><\/p>\n<p>By @FilmGazer<\/p>\n<p><a href=\"https:\/\/twitter.com\/FilmGazer\">Follow on Twitter<\/a><br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/XzFCDqKE4yA\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The thing that kept the tension wound tight in The Purge (2013) was everything being contained within a comfortable four walls, feeding on our deepest fears of being under siege in a safe environment; our home. Returning writer-director James DeMonaco now taps into the other fear that the first film triggers: What would happen if &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/filmgaze.com\/blog\/action\/the-purge-2-anarchy\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Purge 2: Anarchy ***&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,187,6],"tags":[3117,654,3119,2662,3120,3121,2663,3116,2945,3118],"class_list":["post-3228","post","type-post","status-publish","format-standard","hentry","category-action","category-horror","category-thriller","tag-carmen-ejogo","tag-ethan-hawke","tag-frank-grillo","tag-james-demonaco","tag-kiele-sanchez","tag-lena-heady","tag-the-purge","tag-thepurgeanarchy","tag-zach-gilford","tag-zoe-soul"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/3228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=3228"}],"version-history":[{"count":1,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/3228\/revisions"}],"predecessor-version":[{"id":3231,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/3228\/revisions\/3231"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=3228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=3228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=3228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}