{"id":3318,"date":"2014-09-27T16:30:38","date_gmt":"2014-09-27T16:30:38","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=3318"},"modified":"2014-09-27T16:30:38","modified_gmt":"2014-09-27T16:30:38","slug":"the-equalizer","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/action\/the-equalizer\/","title":{"rendered":"The Equalizer ***"},"content":{"rendered":"

\"Sony_TheEqualizer_UKQuad\"<\/a><\/p>\n

Approach this film version of the iconic 1980s TV series as a reboot \u00ad\u2013 not a 2014 remake, and you won\u2019t be disappointed. The fact that popular US actor Denzel Washington is in the lead role formerly brought to life by Brit Edward Woodward should pre-empt this too. There are still similarities in concept for fans \u2013 such as the aging anti-hero on a rough justice spree (minus the trademark mac though) \u2013 but the rest is in the hands of Training Day<\/em> director Anton Fuqua who teams up with Washington again on this. The Equalizer<\/em> may take time to brew then come to the boil, but Washington shows he\u2019s not done with action roles yet either.<\/p>\n

McCall (Washington) is a hardware store worker who quietly goes about his day job then comes home to an empty and orderly apartment at night. In the early hours he takes a teabag in a folded napkin with a book to read in the local caf\u00e9. He befriends a young girl called Terri (Chlo\u00eb Grace Moretz) who dreams of being a singer but is a high-class escort under the control of Russian pimps. One night Terri never shows up, setting McCall in motion to find out why. He crosses paths with a Russian crime gang, triggering his former \u2018secret\u2019 past existence, in order to bring justice to those who are vulnerable.<\/p>\n

With an action director like Fuqua on the project, you would be forgiven for thinking this would be a rapid display of one action-packed scene following another. However, it\u2019s as though the director wants us to properly experience McCall\u2019s controlled and deliberately slow pace of life as we are subjected to a whole lot of McCall\/Washington contemplation. McCall\u2019s OCD-like seconds-counting is equally important to show McCall\u2019s inner restraint \u2013 while blatantly toying with our own patience. But we do need the calm before the storm so we can be suitably shocked by the violence that suddenly erupts.<\/p>\n

Indeed, when the action does ignite, the director makes sure things are snappy and equally bloody\/brutal, making Washington seem in the prime of his youth through clever editing. The best revenge part is at the end when all the baddies descend on McCall\u2019s place of work. There\u2019s immense satisfaction to be had watching McCall\/Washington dispense with the Baltic evil using an array of handy tools \u2013 as silly as the slow-mo titillation gets, it IS pure thrills. In fact the appetite to see someone \u2018get things done\u2019 in an unstable real-life world is part of that gratification perhaps. Washington has also earned the persona of a person we can trust too.<\/p>\n

The baddies are all out of the \u2018Russian gangster handbook\u2019 though. Interestingly, the middle \u2018mad man\u2019, Teddy, played by Marton Csokas (Covert Affairs<\/em>, Sin City<\/em>) \u2013 strikingly like some Hungarian Kevin Spacey in menacing mode \u2013 is McCall\/Washington\u2019s main nemesis here, making an intriguing opponent, however caricature-like with the obligatory Russian prison tattoos. As McCall gets to the top of the rotten apple tree, however, to confront the big boss (whose name ironically bears a resemblance to the Russian president), things come to, too abrupt a conclusion.<\/p>\n

Added to which, Fuqua is guilty of padding out the plot when it\u2019s not really necessary with superfluous characters, like the overly long stay at the Plummers\u2019 grand residence (she a former Secret Service head, played by Melissa Leo, and Bill Pullman as hubby). Although interesting to witness McCall in his former working environment, they serve little else in terms of a plot driver that couldn\u2019t have been nicely nipped and tucked to propel us onto the really gritty parts.<\/p>\n

Still, Washington is so highly watchable in this beautifully-shot reload, and as the finale might suggest, could secure him an action sequel, the likes of which Liam Neeson probably hoped for with Taken<\/em> (2008). That\u2019s not a bad thing given Washington\u2019s screen appeal and affability; The Equalizer<\/em> is a sure thing at the box office. It\u2019s not perfect, but neither is any vigilante and let\u2019s face it, we\u2019re in dire need of a hero to rely on and cheer for in the current global reality.<\/p>\n

3\/5 stars<\/strong><\/p>\n

By @FilmGazer<\/p>\n

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