{"id":4007,"date":"2016-10-27T09:09:15","date_gmt":"2016-10-27T09:09:15","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=4007"},"modified":"2016-10-27T09:09:15","modified_gmt":"2016-10-27T09:09:15","slug":"war-on-everyone","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/comedy\/war-on-everyone\/","title":{"rendered":"War on Everyone ****"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4008\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2016\/10\/war-on-everyone.jpg\" alt=\"war-on-everyone\" width=\"585\" height=\"439\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2016\/10\/war-on-everyone.jpg 585w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2016\/10\/war-on-everyone-300x225.jpg 300w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/p>\n<p>Casual disregard at the extraordinary is the name of the game of writer-director <a href=\"http:\/\/www.imdb.com\/name\/nm0567620?ref_=tt_ov_dr\" target=\"_blank\">John Michael McDonagh<\/a>&#8216;s black, black 70s-themed cop thriller comedy, <a href=\"http:\/\/www.imdb.com\/title\/tt3708886\/?ref_=nv_sr_1\" target=\"_blank\"><em>War on Everyone<\/em><\/a>, starring unlikely pairing, <a href=\"http:\/\/www.imdb.com\/name\/nm0002907?ref_=tt_ov_st_sm\" target=\"_blank\">Alexander Skarsg<span style=\"font-family: Times New Roman,serif;\">\u00e5<\/span>rd<\/a> and <a href=\"http:\/\/www.imdb.com\/name\/nm0671567\/?ref_=ttfc_fc_cl_t6\" target=\"_blank\">Michael Pe<span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\">\u00f1<\/span><\/span><\/span>a<\/a> as corrupt coppers in crime.<\/p>\n<p>It&#8217;s Tarantino-esque twitterings between its leads while chaos ensues feels less than fresh. However, as much as Pe<span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\">\u00f1<\/span><\/span><\/span>a has earned his stripes playing hispanic cop roles on screen (take Mike in <a href=\"http:\/\/www.imdb.com\/title\/tt1855199\/?ref_=nm_knf_t4\" target=\"_blank\"><em>End of Watch<\/em><\/a>), it&#8217;s seeing him bounce off man-tower Skarsg<span style=\"font-family: Times New Roman,serif;\">\u00e5<\/span>rd&#8217;s loser character Terry in this that&#8217;s fascinating to watch.<\/p>\n<p>Set in New Mexico, to cops, Terry and Bob (Pe<span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\">\u00f1<\/span><\/span><\/span>a) set out to blackmail and frame every criminal they encounter \u2013 police pensions (as we are always told) never really pay. Things get sinister as they try to fry a bigger fish. But just who should be afraid of who?<\/p>\n<p>McDonagh&#8217;s film is ode to the 70s cop thriller era, with a broody and strikingly handsome Skarsg<span style=\"font-family: Times New Roman,serif;\">\u00e5<\/span>rd \u2013 even when mashed up \u2013 evoking this decade&#8217;s style in full spirit. He also has the muscle car that refuses to &#8216;die&#8217;, just like a trusty petrol steed. Pe<span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\">\u00f1<\/span><\/span><\/span>a is the family-man cop again, but also the brains behind the operation &#8211; a slight twist to his usual police character. The thrill is not just the excellent and free-flowing rapport the pair has, but also being kept on tender hooks as to when the pair&#8217;s luck will finally run out.<\/p>\n<p>The blatant &#8216;F* You&#8217; sentiment is beautifully balanced throughout with the smaller things in life that are important. It&#8217;s like there is a damaged moral compass still guiding both, even when they are doing something wrong. Keeps us on their side throughout. However, this is no &#8216;New Mexico Robin Hood&#8217; tale \u2013 this pair are robbing for their own gain. Things change though, when some of the &#8216;victims&#8217; them encounter along the way change their perception for the better. The very end scene is really unexpected from where the film first starts. This is what is oddly &#8216;different&#8217; about it compared with the usual damaged cop affair. There is a justice of sorts that wins our favour.<\/p>\n<p><em>War on Everyone<\/em> beats with the blackest of hearts, with good and irony born out of evil. The buddy journey with Skarsg<span style=\"font-family: Times New Roman,serif;\">\u00e5<\/span>rd and Pe<span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\">\u00f1<\/span><\/span><\/span>a is an incredibly satisfying one too.<\/p>\n<p><strong>4\/5 stars<\/strong><\/p>\n<p>By @FilmGazer<\/p>\n<p><a href=\"https:\/\/twitter.com\/FilmGazer\">Follow on Twitter<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/whjTvW6cfd4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beats with the blackest of hearts, with good and irony born out of evil. The buddy journey with Skarsg\u00e5rd and Pe\u00f1a is an incredibly satisfying one too.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,10],"tags":[1655,2538,3741,1463,548,3740],"class_list":["post-4007","post","type-post","status-publish","format-standard","hentry","category-comedy","category-drama","tag-alexander-skarsgard","tag-end-of-watch","tag-john-michael-mcdonagh","tag-michael-pena","tag-quentin-tarantino","tag-war-on-everyone"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/4007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=4007"}],"version-history":[{"count":1,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/4007\/revisions"}],"predecessor-version":[{"id":4010,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/4007\/revisions\/4010"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=4007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=4007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=4007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}