{"id":4257,"date":"2018-02-24T13:27:50","date_gmt":"2018-02-24T13:27:50","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=4257"},"modified":"2018-02-24T13:27:50","modified_gmt":"2018-02-24T13:27:50","slug":"den-of-thieves","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/action\/den-of-thieves\/","title":{"rendered":"Den Of Thieves ***"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4258\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2018\/02\/denofthievesheader.jpg\" alt=\"\" width=\"600\" height=\"337\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2018\/02\/denofthievesheader.jpg 600w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2018\/02\/denofthievesheader-300x169.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>It\u2019s the start of 2018 and we always need another heist movie in these cold winter months to get the blood flowing. It\u2019s irrelevant that <a href=\"http:\/\/www.imdb.com\/title\/tt1259528\/?ref_=fn_al_tt_1\"><em>Den of Thieves<\/em><\/a> feels like a <em><a href=\"http:\/\/www.imdb.com\/title\/tt0113277\/?ref_=fn_al_tt_1\">Heat<\/a>\u00a0<\/em>copycat, with the age-old \u2018cop versus robber\u2019 cat-and-mouse game at play, it has up-to-date effects and weaponry to enjoy. Ignore the fact that the gamble is on-screen tough guy <a href=\"http:\/\/www.imdb.com\/name\/nm0124930?ref_=tt_ov_st_sm\">Gerard Butler<\/a> to bring home the goods, especially in what are notoriously \u2018slow months\u2019 for any release while the big awards season proceeds.<\/p>\n<p>Even with its bloated twists and turns, and lost narrative (sadly) during the main heist, debut director <a href=\"http:\/\/www.imdb.com\/name\/nm0345615?ref_=tt_ov_dr\">Christian Gudegast<\/a>\u2019s final outcome still manages to entertain because the action is exhilarating enough to mask this, and it\u2019s not all about Butler. In fact it sort of feels like an ensemble cast at play, which is a credit to the other actors billed, in particular <a href=\"http:\/\/www.imdb.com\/name\/nm1032567?ref_=tt_ov_st_sm\">Pablo \u2018Pornstache\u2019 Schreiber<\/a> and <a href=\"http:\/\/www.imdb.com\/title\/tt1398426\/?ref_=nm_knf_t1\"><em>Straight Outta Compton<\/em><\/a>\u2019s <a href=\"http:\/\/www.imdb.com\/name\/nm6578009?ref_=tt_ov_st_sm\">O\u2019Shea Jackson Jr<\/a>.<\/p>\n<p>Butler plays \u2018Big Nick\u2019 O\u2019Brien, an out-of-shape and bent veteran cop who has been hardened by many years at the LA County Sheriff\u2019s Dept., steering his wayward crew. After a shoot-out (small war) outside a donut shop that leads to the theft of an armour cash vehicle, Big Nick crosses paths with one of the most successful bank robbery crews, headed up by ex-marine Merrimen (Schreiber). Big Nick and team press the designated driver, Donnie (Jackson Jr.), to tell them where the crew\u2019s last big job will be: the seemingly impenetrable Federal Reserve Bank.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4253\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2018\/01\/gallery_58032.jpg\" alt=\"\" width=\"638\" height=\"332\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2018\/01\/gallery_58032.jpg 638w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2018\/01\/gallery_58032-300x156.jpg 300w\" sizes=\"auto, (max-width: 638px) 100vw, 638px\" \/><\/p>\n<p>The film starts out rather impressively, complete with a bicep-pumped-action ride of bullet power that means business. We are in for grit and body count as the cop-killers set the pace. Gudegast grabs our attention. Cue \u2018Big Nick\u2019 Butler who resembles a less healthy version of <a href=\"http:\/\/www.imdb.com\/name\/nm0000154\/?ref_=fn_al_nm_1\">Mel Gibson<\/a>\u2019s Riggs from <a href=\"http:\/\/www.imdb.com\/title\/tt0093409\/?ref_=nm_flmg_act_43\">Lethal Weapon<\/a>, but with the same baby blues and chauvinism at work. Big Nick might seem like he\u2019s about to pass out from exertion at times throughout, but the end catch keeps him going \u2013 even as his personal life crumbles miserably.<\/p>\n<p>The real acting moments come from exchanges between Butler and Schreiber, with virtually little said, but everything meant in knowing looks, nods and fire-range standoffs. Schreiber makes a formidable and easy-on-the-eye opponent on screen as the guarded Merrimen, a role that seems to suit the Orange Is the New Black actor very well indeed. The world of heist movies is Schreiber\u2019s oyster with a more skilled script in the future.<\/p>\n<p>Jackson Jr. does well to keep the twists going, sweating at times under pressure as Donnie, but keeping tight lipped about the final end whammy. He does match his fellow actors\u2019 screen presence, having far more to do and greater impact than 50 Cent does as gang member Levoux. However, the Queens rapper-cum-actor boasts one very funny scene that every parent of a prom-aged kid should note; 50 Cent\u2019s only moment of glory.<\/p>\n<p>The characters are not the problem here though, the error lies solely in the writing; note Gudegast was part of the team behind mediocre 2016 Butler offering, <a href=\"http:\/\/www.imdb.com\/title\/tt3300542\/?ref_=fn_al_tt_1\"><em>London Has Fallen<\/em><\/a>. Both films suffer from implausible scenarios, with endings that are plain silly. This aside, the biggest sin in <em>Den of Thieves<\/em> that critically damages all the hard work \u2013 and gritty graft \u2013 is the gaping plot holes in the Federal Reserve Bank robbery. At least any <a href=\"http:\/\/www.imdb.com\/title\/tt0240772\/?ref_=nv_sr_2\"><em>Ocean\u2019s<\/em><\/a> film is diligent in making sure all questions regarding the planned heist are addressed. Accurate detail is paramount in these crime capers, especially when the run-time well exceeds the two-hour mark.<\/p>\n<p>If you can excuse the above and take D<em>en of Thieves<\/em> as it comes for pure action and character titillation, it works. Just don\u2019t dig deeper, or you\u2019re in trouble. It\u2019s a crying shame as Butler actually delivers one of his best performances to date. Big Nick makes quite the first and lasting impression.<\/p>\n<p><strong>3\/5 stars<\/strong><\/p>\n<p>By @FilmGazer<\/p>\n<p><a href=\"https:\/\/twitter.com\/FilmGazer\">Follow on Twitter<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/MyX0L3IjoMI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>take Den of Thieves as it comes for pure action and character titillation, it works. Just don\u2019t dig deeper, or you\u2019re in trouble. It\u2019s a crying shame as Butler actually delivers one of his best performances to date. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[3952,3945,706,3946,1464,3588,1102,963,3950,3499,3949],"class_list":["post-4257","post","type-post","status-publish","format-standard","hentry","category-action","category-thriller","tag-christian-gudegast","tag-den-of-thieves","tag-gerard-butler","tag-heat","tag-lethal-weapon","tag-london-has-fallen","tag-mel-gibson","tag-oceans-eleven","tag-oshea-jackson-jr","tag-pablo-schreiber","tag-straight-outta-compton"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/4257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=4257"}],"version-history":[{"count":1,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/4257\/revisions"}],"predecessor-version":[{"id":4259,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/4257\/revisions\/4259"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=4257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=4257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=4257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}