{"id":475,"date":"2010-12-05T21:43:07","date_gmt":"2010-12-05T21:43:07","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=475"},"modified":"2010-12-05T22:04:38","modified_gmt":"2010-12-05T22:04:38","slug":"lff-of-gods-and-men-4","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/drama\/lff-of-gods-and-men-4\/","title":{"rendered":"LFF: Of Gods And Men &#8211; 4*"},"content":{"rendered":"<p><a rel=\"attachment wp-att-476\" href=\"http:\/\/filmgaze.com\/blog\/drama\/lff-of-gods-and-men-4\/attachment\/filmgaze-of-gods-and-men\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-476\" title=\"filmgaze-of-gods-and-men\" src=\"http:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2010\/12\/filmgaze-of-gods-and-men.jpg\" alt=\"\" width=\"338\" height=\"450\" srcset=\"https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2010\/12\/filmgaze-of-gods-and-men.jpg 338w, https:\/\/filmgaze.com\/blog\/wp-content\/uploads\/2010\/12\/filmgaze-of-gods-and-men-225x300.jpg 225w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/a>This sombre, humane and provocative drama from <a href=\"http:\/\/www.imdb.com\/name\/nm0064741\/\">Xavier Beauvois<\/a> (<a href=\"http:\/\/www.imdb.com\/title\/tt0113909\/\" target=\"_blank\"><em>Don\u2019t Forget You\u2019re Going To Die<\/em><\/a>) is based on a true story from the 1990s. Eight French monks live in harmony in a Cistercian monastery in North Africa, providing medical, practical and spiritual help to the local community. But fundamentalist violence threatens not only the country as a whole, but also their own existence, forcing them to decide whether to stay or return to France. It\u2019s a compassionate plea from Beauvois for understanding between religions and cultures, without being too sensationalist or opinionated in its manner.<\/p>\n<p>Beauvois has created a wonderfully sensitive and serene film that\u2019s graced with humanity and understanding, through some remarkable and understated performances and cinematography. He shows great care to portray these religious men as humble leaders, whilst still making them approachable as average souls, detailing their everyday duties and thoughts (and spiritual doubts) with careful and subtle injections of humour. It\u2019s an engaging character study to watch unfold \u2013\u00a0albeit at a slow pace at times \u2013 and discover why they live such a sheltered lifestyle, and how they unite to form their rather odd community. We are still unclear on the former.<\/p>\n<p>The tranquillity that Beauvois creates is abruptly shattered by the unprovoked slaughter of Croatian workers by Islamic fundamentalists on a roadside. You know it\u2019s only a matter of time before the monks are affected \u2013 quite literally \u2013 by the changing environment. At this pivotal point, the film retains its character study element, particularly at the monks\u2019 meeting, but becomes one of a journey of survival and, ultimately, of salvation. Although prepared to meet their maker early, if needs be, Beauvois still portrays their inner terror and fragile morality; this is quite literally mesmerising to watch.<\/p>\n<p>The single, most affecting aspect of the film is how the monks change from a group divided as to whether to leave, to a group defiantly united to stay and face whatever destiny has in store for them. This transformation is dramatically depicted at an emotional \u2018Last Supper\u2019 style dinner scene, played out to Tchaikovsky\u2019s Swan Lake Theme. It\u2019s a genuine goose-pimples moment. The cinematography is astoundingly powerful, as the camera pans from face to face, with no dialogue needed, just hearty expressions as the monks eat, drink and be merry. When the music comes to an end, stone-cold reality dawns, followed by tears \u2013 whether of acceptance (of God\u2019s will) or sorrow, is what\u2019s equally intriguing. It has to be one of the most defining and iconic images of the festival.<\/p>\n<p>The harrowing ending is similar to watching lambs being led to the slaughter in the snow, but does exude an overwhelming feeling of calm, too, as though God\u2019s comfort is projected through the screen. <em>Of Gods and Men<\/em> provides an intellectually rich and textured character journey of life and spirituality, without becoming obsessed with its provocative subject matter; nor does it cast any concluding aspersions either.<\/p>\n<p><strong>4\/5 stars<\/strong><\/p>\n<p>By L G-K<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"640\" height=\"385\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/KCza34AM76I?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This sombre, humane and provocative drama from Xavier Beauvois (Don\u2019t Forget You\u2019re Going To Die) is based on a true story from the 1990s. Eight French monks live in harmony in a Cistercian monastery in North Africa, providing medical, practical and spiritual help to the local community. But fundamentalist violence threatens not only the country &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/filmgaze.com\/blog\/drama\/lff-of-gods-and-men-4\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;LFF: Of Gods And Men &#8211; 4*&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[309,10,103],"tags":[397,395,396],"class_list":["post-475","post","type-post","status-publish","format-standard","hentry","category-bfi-lff-2010","category-drama","category-foreign-language","tag-dont-forget-youre-going-to-die","tag-of-gods-and-men","tag-xavier-beauvois"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":5,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/475\/revisions"}],"predecessor-version":[{"id":479,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/475\/revisions\/479"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}