{"id":528,"date":"2010-12-22T22:21:06","date_gmt":"2010-12-22T22:21:06","guid":{"rendered":"http:\/\/filmgaze.com\/blog\/?p=528"},"modified":"2010-12-22T22:21:16","modified_gmt":"2010-12-22T22:21:16","slug":"gullivers-travels","status":"publish","type":"post","link":"https:\/\/filmgaze.com\/blog\/comedy\/gullivers-travels\/","title":{"rendered":"Gulliver’s Travels – 3*"},"content":{"rendered":"

\"\"<\/a>Jack Black<\/a> is an acquired taste. Let\u2019s face it; if you\u2019re not a fan, you wouldn\u2019t even contemplate going to see a film, which is effectively another stage for self-depreciating Blackmania. The only issue is whether as a fan of the tale of Gulliver\u2019s Travels<\/em><\/a>, the version from director Rob Letterman<\/a> \u2013 the man behind Monsters vs. Aliens<\/em><\/a> and Shark Tale<\/em><\/a> \u2013 will entertain or irk you. If you are loyal to the quintessentially English literary text, you may find the contemporary American (New York) spin a bit too brash, as Gulliver becomes a bungling mailroom employee with aspiring ideas of being a travel writer to impress the girl (travel sub-editor Darcy (Amanda Peet<\/a>)), and is sent off to the Bermuda Triangle on his first assignment.<\/p>\n

Low and behold, hapless Gulliver hits a waterspout in a vicious storm, and gets spat out on the shores of Lilliput, full of little people who think he\u2019s a beast \u2013\u00a0well, he is a man giant to them. The rest is set for a fest of Black comic over-indulgence, Black flabby flesh over-exposure, Black eyebrow gymnastics, and Black taunts at the stuffiness of old English etiquette. The latter is what gets a little irksome at times, especially with when Gulliver revamps Lilliput in New York style with garish billboards and American casuals. Admittedly, the part where he goes all \u2018School of Rock\u2019 (Guitar Hero moves) is as amusing as an impatient kid trying to impress a parent. The re-enacting of cinematic classics, like Star Wars<\/em><\/a> and Titanic<\/em><\/a> for the Lilliput royal family as a theatrical re-enactment of the great Gulliver\u2019s life back home get most of the satirical laughs.<\/p>\n

What makes these moments are the impressive supporting cast of Brits in deadpan humour mode, including Emily Blunt<\/a>, Billy Connolly<\/a>, Chris O’Dowd<\/a>, James Corden<\/a>, and Catherine Tate<\/a> \u2013\u00a0although, sadly, we get to see very little input from the latter lady. O\u2019Dowd appears to match the Black idiocy for the British contingent as pompous General Edward, and Blunt complements as bored, but smart and very beautiful Princess Mary he\u2019s betrothed to. But it\u2019s fellow countryman Jason Segel<\/a> as the love-struck Horatio yearning for Mary\u2019s affection and as Black\u2019s diminutive sidekick who often steals the scenes from Black, especially he wooing of Mary with a contemporary love song classic.<\/p>\n

There is also one inspired moment in the film, where Gulliver wakes up in a dolls house and gets terrorised by a youngster that\u2019s almost Lynchian<\/a> in respect, but the rest of the film is pantomime fluff that still touches on the original tale\u2019s themes of man\u2019s treatment of man, petty differences between sides\/religions and political corruption, but all done in a far lighter manner. Unfortunately, the film concept swings from Wild Wild West<\/em><\/a> to Transformers<\/em><\/a> \u2013 perhaps a precaution to keep the youngsters happy with a bit of robot wars? Prepare, also, as always, for the big morals at the end, delivered by Black who always comes to his adult senses for a mere split second, after a burst of childish lunacy.<\/p>\n

Black does what he does best in Gulliver\u2019s Travels<\/em><\/a>; he\u2019s a man-child at heart, employed to dumb down any tale for the kids. There is an uglier side in the shameless advertising throughout, targeting the adults who have nowhere to hide from their offspring in the cinema shadows, especially the Lilliput soldiers\u2019 infatuation with Gulliver\u2019s iPhone. Still, a jolly funny song and dance later reiterates that neither star nor cast have taken this seriously, and as a bit of family escapism on Boxing Day, it\u2019s adequately entertaining, and far better than your local stage panto.<\/p>\n

3\/5 stars<\/strong><\/p>\n

By L G-K<\/p>\n

<\/object><\/p>\n","protected":false},"excerpt":{"rendered":"

Jack Black is an acquired taste. Let\u2019s face it; if you\u2019re not a fan, you wouldn\u2019t even contemplate going to see a film, which is effectively another stage for self-depreciating Blackmania. The only issue is whether as a fan of the tale of Gulliver\u2019s Travels, the version from director Rob Letterman \u2013 the man behind … <\/p>\n

Continue reading “Gulliver’s Travels – 3*”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1,10,7,9],"tags":[456,459,462,460,458,452,451,461,261,454,453,455,438,457,464,463],"class_list":["post-528","post","type-post","status-publish","format-standard","hentry","category-action","category-comedy","category-drama","category-family","category-fantasy","tag-amanda-peet","tag-billy-connolly","tag-catherine-tate","tag-chris-odowd","tag-emily-blunt","tag-gullivers-travels","tag-jack-black","tag-james-corden","tag-jason-segel","tag-monsters-vs-aliens","tag-rob-letterman","tag-shark-tale","tag-star-wars","tag-titanic","tag-transformers","tag-wild-wild-west"],"aioseo_notices":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/comments?post=528"}],"version-history":[{"count":5,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/528\/revisions"}],"predecessor-version":[{"id":534,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/posts\/528\/revisions\/534"}],"wp:attachment":[{"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/media?parent=528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/categories?post=528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmgaze.com\/blog\/wp-json\/wp\/v2\/tags?post=528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}