Reviews in a nutshell
“Establishment is flawed. Down with the establishment!” appears to be Kevin Smith‘s defining and sinister mantra in his Tarantino-esque Red State, done with brutal and twisted irony in a hail of righteous bullets. Its cynicism both cultivates and dissipates the bouts of humour in one of Smith’s most radical yet frank pieces of film-making yet …
The role of retired Mossad secret agent Rachel Singer in John Madden’s new espionage thriller, The Debt, is a highly fitting one for the immense on-screen talent, presence and investigative skills of actress Helen Mirren, no stranger to weeding out corrupt elements of society in her stint as TV’s Supt. Jane Tennison. But those banking …
Beginning like an updated version of Gone in Sixty Seconds, Bronson director Nicolas Winding Refn’s new action drama Drive puts its slick wheels in motion for a supposed heist flick, but settles into a dark ride of disturbing but exhilarating control. Driver (Ryan Gosling) is a Hollywood stunt performer who moonlights as a wheelman for …
Debut feature director Eli Craig’s take on the comedy-horror genre is a glorious homage to all the townie-meets-country shlock horrors over the years, like an hilarious study of all the gory clichés turned on their heads. It still racks up the body count for genre fans and demonises the local White trash population, but cleverly …
The promise of a thriller with a sexy, all-star cast of Jason Statham, Clive Owen and Robert De Niro is enough to whet the appetite for a trip to the cinema. Debut writer-director Gary McKendry’s adaptation of Ranulph Fiennes’ novel, The Feather Men, should be the action man’s version of Tinker, Tailor, Soldier, Spy this …
After Zombieland, director Ruben Fleischer was always going to have big boots to fill with his next film. He remains very much in the same comedy adventure genre, only taps into the Apatow school of idiocy with puerile, often chauvinistic man-child humour. The redeemable feature, however, is Fleischer doesn’t dwell too long on the visual …
There’s nothing more appealing than a horror steeped with folklore that manages to question our sanity. This is precisely what foreign-based fantasies like Norwegian writer-director André Øvredal’s Troll Hunter achieve for the non-Nordic audience out there, desperate for mysteries such as Bigfoot and the Loch Ness Monster to have a touch of authenticity about them. …
The Gilbeys are no stranger to a bit of in-your-face grit after their 2007 gangster flick, Rise Of The Footsoldier, based on a true story. All they’ve done with their last offering, A Lonely Place To Die, starring horror Aussie darling Melissa George, is injected the horror into what is effectively a cat-and-mouse crime thriller …
Craig Gillespie’s last and probably only memorable film to date was the touchingly quirky Lars and the Real Girl in 2007, starring Ryan Gosling as a delusional guy who has a relationship with a life-like doll. This showed the makings of a great director of twisted unconventionality in the heart of suburbia – kind of …
