LFF 2013: Saving Mr Banks *****

Mary Poppins is a seasonal classic, and The Blindside director John Lee Hancock’s ode to her creator, Saving Mr Banks, the closing film of BFI LFF 2013, is likely to evoke the same euphoric highs. It hits all the right notes in an utterly charming, funny and well-meaning manner; part in thanks to the great pairing of Emma Thompson and Tom Hanks.

Mary Poppins author, the proud P.L. Travers (Thompson) is invited to Disneyland to meet Walt Disney (Hanks) to discuss turning her beloved character into a film. However, Travers and Disney regularly clash, with the author loathed to compromise. As events begin to thaw, and progress is made, Travers unwittingly starts reflecting on her difficult childhood – seen in flashbacks, the basis for the origins of Poppins.

There is an effortless flow from Kelly Marcel and Sue Smith’s script that translates beautifully on screen, coupled with some immensely enjoyable performances from Thompson and Hanks. Travers’ prickly and pompous nature is full of subtle tones, fully brought to life by Thompson who portrays a complex woman trying to gain control of her past, present and future. The witty self-discovery this takes is at the heart of the film, and we never tire of Thompson expertly crafting Travers’ transformation.

Hanks as Disney provides the catalyst to this pleasing, if predictable end result. He is both jovial and sentimental when needed, making Disney incredibly likeable – hardly surprising, given the studio behind the film. Disney’s persuasive speech for Travers at the end is a magical moment that resonates loudly, where both characters – and watching fans – realise they have the same passion for and responsibility to Poppins. This connection seals our love affair with the journey we have been invited to follow. Both actors are at the top of their game for providing accessible characters full of charisma.

Collin Farrell portrays Travers’ colourful dad, Robert Goff Travers, an emotional whirlwind of a part that is both uplifting and tragic, adding just sufficient back-story to form a true opinion of the difficult author. This provides the film’s melancholy angle, which further heightens an instinctive, protective nature towards Poppins as a national treasure, if you are a fan.

Saving Mr Banks is a Disney film for adults, bursting with a whole spectrum of emotions. As well as one woman’s quest and some highly memorable performances, there is a great delight in recognising and hence singing the iconic songs, which is an extra treat for Poppins fans.

5/5 stars

By @FilmGazer

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