Category: BFI LFF 2013

LFF 2013: Mystery Road *****

Beneath Clouds (2002) writer-director Ivan Sen has found a pitch-perfect niche in the crime-thriller genre with his new film Mystery Road, set in the Australian outback. This marvellously atmospheric and sumptuous-looking film has all the mellow attitude of a western, pausing to take in panoramic, burnt-orange sunrises and sunsets, while punctuated by bursts of action …

LFF 2013: The Congress ***

Waltz With Bashir animator Ari Folman takes on the advancing techno nature of the Hollywood film industry in his hybrid (live action/animation), political sci-fi The Congress. It’s hard to distinguish whether the film itself or the myriad of ideas it boldly flags deserve the true credit. Debate aside, Folman uses animation to illustrate the ‘death …

LFF 2013: Blackwood ***

Families moving into creepy haunted houses then things going bump in the night are the backbone of horror. It’s finding that slight tweak to the usual tropes that keeps things fresh. Debut filmmakers, director Adam Wimpenny and writer J.S. Hill have attempted that with British horror Blackwood, combining a traditional haunting with a psychological crime …

LFF 2013: We Are The Best! *****

There is an instant vitality and endearing quality to Swedish writer-director Lukas Moodysson’s new coming-of-age drama Vi är bäst! (We Are The Best!) that gradually warms from within. It’s not just the experimental buzz of youth and the promise of reliving your memories through the voice of punk music, but being placed in a privileged …

LFF 2013: Afternoon Delight *****

Writer-director Jill Soloway does for Kathryn Hahn (Revolutionary Road) what Paul Feig did for Kristen Wiig in Bridesmaids, and given a very naturally funny lady a leading role – albeit, Wiig did co-write herself a part in the 2011 film. Hahn is a total triumph as bored, affluent Jewish housewife Rachel who has access to …

LFF 2013: The Past *****

Exciting Iranian director Asghar Farhadi of Oscar-winning A Separation (2011) returns with French drama The Past (Le passé) that again touches on the remnants of divorce and its effects on the family. Far from being just an intense and deeply emotional experience – as most French relationship dramas tend to be, this one weaves in …

LFF 2013: Starred Up ****

Referring to youth offenders sent to adult prisons because of their violent behaviour, Starred Up sounds like another gritty prison drama, as depressingly abundant in British cinema as the gritty gang-related flicks set on sink estates in the capital. In fact, Young Adam director David Mackenzie and debut screenwriter Jonathan Asser’s pressure cooker of incarcerated …

LFF 2013: The Invisible Woman ****

Ralph Fiennes makes each new directorial project feel like a burning passion, a chance to reveal new elements to an infamous character. His Charles Dickens in The Invisible Woman sheds new light on a renowned author not so famed for his private life. In the title role, Fiennes strips down the celebrity into a humble, …

LFF 2013: The Armstrong Lie ****

Oscar-winning documentary filmmaker Alex Gibney, winner of the LFF 2012 Best Documentary prize for Mea Maxima Culpa: Silence in the House of God returns this year with an equally absorbing film that literally puts professional cyclist Lance Armstrong on the spot. Oprah has been there, trying to get the truth. Now it’s Gibney’s turn, especially …