Category: Foreign Language

Cell 211 ****

Prison dramas are abundant, as are TV series depicting life behind bars that continue to fascinate audiences as they depict a pressure-cooker microcosm of life. So making a drama that stands out internationally is a tall order. But something quite unique about writer/director Daniel Monzón’s adaptation of Cell 211 (Celda 211)is the marriage of sheer …

A Separation ****

Iranian writer-director Asghar Farhadi’s Nader and Simin, A Separation (Jodaeiye Nader az Simin), or A Separation for short, is an illuminating and moving drama from the heart of one of the Middle East’s most guarded nations, Iran. Farhadi gives a truly fascinating and contemporary picture of the tensions brewing at the heart of its society, …

Potiche ****

The reluctance that some non-French mainstream markets have in promoting a foreign-language film is thankfully subsiding year on year, considering the abundance of talent these films bring – take Point Blank/ À bout portant most recently, and the international crossover of their stars and themes. In fact, a film like François Ozon’s Potiche should translate …

Point Blank ****

Methodical in technique, Fred Cavayé‘s astoundingly astute eye for action-thriller writing/directing makes Point Blank one of the most lean, well-paced and credible international films of the genre in recent years. French film-makers have a born flair for this category, mixing heightened emotion with electrifying suspense, and Point Blank is no exception. But it’s far from …

Julia’s Eyes ****

Writer/director director Guillem Morales has a great talent for horror that fantasy-horror maestro and co-producer of this film, Guillermo del Toro has recognised. Morales is certainly welcomed into the del Toro fold, here, as he comes on board to direct del Toro’s The Orphanage leading lady, the mesmerising Belén Rueda, in this richly layered, beautifully-shot, …

LFF: West Is West – 3*

East Is East (1999) was a breath of British comedy fresh air, a playful and broad-minded but poignantly comical look at the issues of integrating Pakistani culture in 1970s’ Britain, as portrayed through the lives of one Anglo-Pakistani family based in Salford, Greater Manchester. It had tears, laughter and frustrations, triggered through a series of …

LFF: Biutiful – 4*

Javier Bardem receiving a Best Actor Oscar nod for Alejandro González Iñárritu’s haunting Biutiful, after his Cannes Film Festival Best Actor triumph was hardly a great revelation to most. The haunting film in true woeful Iñárritu style, and one set for the first time in his native Spain, is a definite awards contender by any …

LFF: Rare Exports – 4*

It’s silly season again, and the thought of yet another Santa movie thrills some and has others gnawing the furniture in despair. But writer/director Jalmari Helander’s alternative Christmas tale, Rare Exports, is one you’ll not forget in a hurry, based on two short films. It’s designed to challenge the schmaltzy, commercialised holiday season head on, …

LFF: Miral – 3*

American artist-turned film-maker Julian Schnabel’s latest film, Miral, is on a far grander scale than the intimate The Diving Bell and the Butterfly about a stroke sufferer, dealing with the political hot bed of peace in the Middle East. Jewish American Schnabel takes the Palestinian stance on this, in an almost pious and worthy fashion …