The Strangers: Prey at Night ***
The rest is a generic, blood-curdling, body-slashing, squelching fest with the requisite ‘dead-not-dead’ horror moment that renders the threat almost supernatural.
Reviews in a nutshell
The rest is a generic, blood-curdling, body-slashing, squelching fest with the requisite ‘dead-not-dead’ horror moment that renders the threat almost supernatural.
Covenant does inject new blood and purpose into the Alien series with the focus on character rather than effect. It’s still just a nail biting.
As a generic, ‘leap out of your seat’, popcorn-spilling offering at the cinema, Within ticks all the boxes – just don’t expect to be challenged any further.
Has enough eyeball rolling and gymnastics to satisfy the horror fan. It’s just events get very complex.
Just as powerful at the first film, possibly because of the catch-all ‘based on a true story’ promise. Even so, without the same team behind this one as with the first, this could have fallen flat.
There is a world of doubt and terror to experience in this art-house horror. The key is this is self-perpetuating as a present-day viewer – if you relinquish to the lifestyle experience you are witnessing, rather than have the scares delivered on a plate, as is the usual horror diet.
An immensely satisfying offering that will appeal to both Western and Horror camps and it looks great, production-wise. With some great acting and thoughtful directing, it certainly is one of the most refreshing Western off-shoots in a long time.
There is nothing very remarkable about The Hallow – it makes no real mark, even though it leaves matters open to a possible sequel.
The Messenger could have been more succinct in its delivery and still kept the ambiguity. In the end, it will be remember more as a vehicle moving in the right direction for Sheehan’s career.