Tag: LFF

LFF 2015: The Lobster ****

Wonderful extremes too, from wildly absurd, laugh-out-loud moments to totally shocking brutality, often throwing you off course. The ending does let it down a bit as the effect of the brilliant set-up of this crazy dual existence seems to wane.

LFF 2014: ’71 ****

This is Northern Ireland Troubles behind ‘enemy lines’ (from a British military perspective), a powerful cat-and-mouse game that makes ’71 an exhilarating watch from the start. There needed to be a fresh angle, which writer Gregory Burke evokes, making sure that there is enough Belfast streets-located violence to establish and drum home the effects of …

LFF 2013: Mystery Road *****

Beneath Clouds (2002) writer-director Ivan Sen has found a pitch-perfect niche in the crime-thriller genre with his new film Mystery Road, set in the Australian outback. This marvellously atmospheric and sumptuous-looking film has all the mellow attitude of a western, pausing to take in panoramic, burnt-orange sunrises and sunsets, while punctuated by bursts of action …

LFF 2013: Blackwood ***

Families moving into creepy haunted houses then things going bump in the night are the backbone of horror. It’s finding that slight tweak to the usual tropes that keeps things fresh. Debut filmmakers, director Adam Wimpenny and writer J.S. Hill have attempted that with British horror Blackwood, combining a traditional haunting with a psychological crime …

LFF 2013: Parkland ***

Writer-director Peter Landesman’s Parkland gives another relatively new angle on tragic events following the death of US President John F Kennedy on 22nd November 1963 in Dallas, Texas, offering the hospital portrayal at Dallas’ Parkland Hospital. It’s a solid piece of drama set to provoke the same disbelief from those who remember on the day …

LFF 2012: I, Anna***

Writer-director Barnaby Southcombe offers up a tense, dreamlike noir that celebrates his charismatic mother, actress Charlotte Rampling, with I, Anna. This downbeat thriller that features one of London’s most imposing pieces of architecture, The Barbican, uses the sinister facades as well as retro finishes – old fashioned phones – to set a stylish murder scene. …

LFF 2011: Snowtown ****

Believe the stories of disturbed audience members leaving various screenings – there were a few hurried departures when we saw this film at this year’s London Film Festival. Debut feature writer-director Justin Kurzel has co-penned a gripping, ‘car-crash’ account based on a true Australian crime story from the 1990s. However, it’s not necessarily the crime that …