Reviews in a nutshell
An extraordinary dark comedy for those wanting pitched blackness and heaps of lunacy. Strip away social conditioning and religion, while the insane might run the asylum their actions begin to appear explainable, even normalising, when compared to the outside world’s perspective.
As everyone knows from nature programmes alone, ‘Hell hath no fury like a Mummy scorned’. After creeping out audiences back in 1992 in The Hand That Rocks The Cradle, then-maternal Rebecca De Mornay proves she’s still got the superior chill factor to scare the living daylights out of you in Saw director Darren Lynn Bousman’s …
