Ocean’s 8 ****
The action is less than the other films but the strategy and technology is still abundant. Writer-director Gary Ross’s slick production does not stray from the latter films either.
Reviews in a nutshell
The action is less than the other films but the strategy and technology is still abundant. Writer-director Gary Ross’s slick production does not stray from the latter films either.
A bizarre political affair with a nasty after-sting. The humour arises from the ridiculous bordering on shameful scenarios that leave a bittersweet taste.
The promise of Sandra Bullock and George Clooney battling to stay alive in Space, within a 2001: A Space Odyssey context is a great pull, as much as Gravity itself. The added buzz is the film is Children of Men director Alfonso Cuarón’s creation. All good so far. However, Space alone is mesmerising to watch …
It’s Hawaii – but not as we know it. Writer-director Alexander Payne has set one of star George Clooney’s most anticipated releases, The Descendants – since its unveiling at the BFI LFF 2011 – in paradise. But it’s a paradise of a viewing kind that is the perfect combination of dramedy, tragedy and familiar fallouts …
George Clooney’s fourth directorial film, The Ides of March, is an enticing ode to yesteryear political thrillers, but it’s also a delightful exercise in intense acting exchanges played out by his stellar main cast of Ryan Gosling, Paul Giamatti and Philip Seymour Hoffman. Although Clooney stars in this, it’s in a supporting capacity. His talent …
Don’t be fooled by the action sequences they squeeze out of the film for the trailer to try marketing this as an action-based crime thriller: it’s no Bourne. It is a part-foreign-language drama set in foreign lands – making it perfect London Film Festival fodder – that cleverly manages to straddle both art-house and mainstream …