BFI LFF 2016: Prevenge ***
Another great showpiece for Lowe’s acting talents in a directorial debut, while boldly using the serious subject of antenatal depression as its emotive vehicle.
Reviews in a nutshell
Another great showpiece for Lowe’s acting talents in a directorial debut, while boldly using the serious subject of antenatal depression as its emotive vehicle.
What comes across with Ford’s Nocturnal Animals is a passion for a project, attention to detail and dramatic Hitchcockian production values.
An extraordinary dark comedy for those wanting pitched blackness and heaps of lunacy. Strip away social conditioning and religion, while the insane might run the asylum their actions begin to appear explainable, even normalising, when compared to the outside world’s perspective.
There is something quite engaging about The Silent Storm when the plot is very thin. It’s a combination of the landscape, the rugged weather and some intense performances that prop it up.
There is a world of doubt and terror to experience in this art-house horror. The key is this is self-perpetuating as a present-day viewer – if you relinquish to the lifestyle experience you are witnessing, rather than have the scares delivered on a plate, as is the usual horror diet.
An immensely satisfying offering that will appeal to both Western and Horror camps and it looks great, production-wise. With some great acting and thoughtful directing, it certainly is one of the most refreshing Western off-shoots in a long time.
A Bigger Splash is must-see viewing for those who like a modern-day tragedy of forbidden longing, both in acting and setting. Has got to be one of Fiennes’s finest performances in a long time.
It’s a piece of cinematic competency, in acting and production – definitely one for Cranston fans not to miss.