BFI LFF 2018: Widows ****
It is this fight for survival, coupled with an urgency that makes Widows the movie an apt fit for McQueen’s filmmaking skills. Look out for it at awards season – it will pay off for the British director.
Reviews in a nutshell
It is this fight for survival, coupled with an urgency that makes Widows the movie an apt fit for McQueen’s filmmaking skills. Look out for it at awards season – it will pay off for the British director.
Wonderful extremes too, from wildly absurd, laugh-out-loud moments to totally shocking brutality, often throwing you off course. The ending does let it down a bit as the effect of the brilliant set-up of this crazy dual existence seems to wane.
With the success of The Girl With The Dragon Tattoo (the original version) under his belt, plus the chance to work with leading lady Noomi Rapace once more, it was never going to be long before Danish director Niels Arden Oplev tried his hand at Hollywood revenge to further demonstrate his film-making skill. More exciting …
Remember last year’s The Way Back, starring Colin Farrell, Jim Sturgess, Ed Harris and rising Hanna star Saoirse Ronan, where Siberian gulag escapees seem to walk half the planet to reach a safe destination, and defy all of nature’s odds? Well, writer-director Stéphane Rybojad’s new French action drama Special Forces feels much the same, only …
Craig Gillespie’s last and probably only memorable film to date was the touchingly quirky Lars and the Real Girl in 2007, starring Ryan Gosling as a delusional guy who has a relationship with a life-like doll. This showed the makings of a great director of twisted unconventionality in the heart of suburbia – kind of …
We’ve all had one. They come in all shapes and sizes. Their mission, it seems, is to make our working lives a living nightmare. So it’s understandable that Michael Markowitz’s story, Horrible Bosses, brings a gleeful curiosity as to how other helpless souls deal with their own private workplace horror. Director Seth Gordon’s cast of …
With highly respected film-maker Peter Weir (Master and Commander: The Far Side of the World) behind a new adventure, you know you are in for a visually stunning treat, born of meticulous planning and hard graft to get it factually right. The Way Back is no exception to the Weir catalogue of cinematic triumphs, a …
Oscar-winning The Departed writer William Monahan’s directorial debut, London Boulevard, is one of those films that prompts the immediate reaction of ‘hmmm’: You really don’t know how to process what you’ve just seen – unless you’re an avid Colin Farrell fan, so can be rest assured that his sexy charm is in full flow in …